Rosemary Mayer: Ways of Attaching Tessa Norton with nowhere to go but

with nowhere to go but back in

In doing so we seek to uncover some of the reasons why plants and landscapes are seemingly undervalued in the development paradigm

granular synthesis

The cover of this edition of ‘‘One Thing I Know’’

this study is filled with revealing insights into how the artist’s printmaking aesthetic

Rosemary Mayer: Ways of Attaching Tessa Norton with nowhere to go butA comprehensive catalog on the work of New York artist Rosemary Mayer (19432014), Ways of Attaching provides an overview of the artists work, moving from early conceptual experiments of the late 1960s through to textile sculptures and drawings made in the early 1970s, before focusing on propositional and durational performances and temporary monuments made from 1977 to 1982. Highlighting Mayers formal interest in draping, knotting and tethering, Ways