Paneel: Zwei Landschaften (ehemals Diptychon) | Kanō Yōsen‘in 狩野養川院 | 1753-1808 Blumen which also determined the remounting:

which also determined the remounting: a noble pine-needle green with a fine brocade frame is intended to frame the painting with tranquility and elegance

Typical of Rosetsu is the wit with which he contrasts the horror on the fish’s face with a cute

so that we can also see semi-plastic forms (e

On the one hand

Hanabusa Itchō stands out as an outsider in Japanese art history

Paneel: Zwei Landschaften (ehemals Diptychon) | Kanō Yōsen‘in 狩野養川院 | 1753-1808 Blumen which also determined the remounting:Ysen'in was the sixth head of the Kobikich studio of the Kan school in Tokyo and was in the direct service of the then shogun (as a so called oku eshi). He received several high ranks that testify to his official esteem. A professional painter of that time had to master various styles; a personal style was not in demand, especially in the Kan school. In this diptych, Ysein'in provides evidence of his mastery of Chinese ink painting, as it had been